Fotografía Le Nouvel Opera Statues Decoratives Photographe Durandelle
Fotografía que representa la Estatua nº 15 del álbum editado por E. Ducher en 1876 con fotografías de Emile Durandelle.
Vistas con un punto de vista actual son fotos excelentemente realizadas pero frías, el fotógrafo no se implica en lo que recoge su cámara, simplemente hace su trabajo, bien, pero nada más.
- Le Nouvel Opéra de Paris: Sculpture ornamentale
Este álbum esta formado por 45 albúminas y ha colocado a Durandelle como uno de los grandes fotógrafos del siglo XIX junto con sus otras dos obras emblematicas.
- La construction du Nouvel Opera
Travaux de construction de la Tour Eiffel
En cada cartulina se muestra el titulo de la obra asi como el editor y el fotógrafo
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Louis-Émile Durandelle was one half of a photographic team with
Hyacinthe César Delmaet from 1854 until 1862. After their partnership
dissolved, Durandelle continued to photograph, specializing in
photographs of architecture, particularly public buildings, in France
throughout the 1860s. He photographed the Abbey
of Mont-Saint-Michel and the construction of the Théâtre de Monte
Carlo. In 1870 and 1871 he photographed the Paris Commune, the
insurrection against Napoleon III's government.
In 1876 Durandelle published a portfolio, Le Nouvel Opéra de Paris: Sculpture ornementale,
a ten-year documentation of the sculptural decoration in the Paris
Opéra. From 1887 until 1889, he documented the erection of the Eiffel
Tower.
.........La construcción de la torre Eiffel en pleno corazón de París, con motivo
de la Exposición universal de 1889, va a imponer la evidencia de la
fotografía como medio privilegiado para la representación de la
arquitectura metálica.
..........Desde el comienzo del año 1887 se pone a la obra y emprende una serie de
planchas, tomadas a distancia, escrupulosamente fechadas, que
demuestran la rapidez del montaje, desde las fundaciones hasta finalizar
el edificio
Met Museum Collection on line
- Curiosidad final, el destino de parte de los fondos fotográficos de Durandelle y Delmaet fue:
.........I studied perhaps the most important photographic presentation of architecture in the 19th century, Charles Garnier’s Le nouvel opéra de Paris. This mammoth publication (1875-1881), comprising two volumes of text, two folios of engraved drawings and chromolithographs and four atlases of photographs, was unparalleled in its time.
Le studio de photographie industrielle Chevojon est sans doute la plus ancienne entreprise de photographie en France, fondée en 1861 à Paris (9 rue Cadet, Paris, 9e), très important jusque dans les années 1985. Le nom n'est réellement créé qu'en 1886, lorsqu'Albert Chevojon (1865-1925), achète le fonds de commerce du studio Durandelle et Delmaet, créé en 1861.
L'Institut national d'histoire de l'art INHA
L'Institut national d'histoire de l'art est un établissement public à
caractère scientifique, culturel et professionnel (EPSCP), destiné à
promouvoir la recherche scientifique en histoire de l'art. Il est placé
sous la double tutelle des ministères de l'Enseignement supérieur et de
la Recherche et de la Culture et de la Communication.
Collection Photographies Durandelle
- En (google translate)
They view a current point of view are pictures excellently done but cold, the photographer is not involved in collecting your camera simply does its job well, but nothing more.
Le Nouvel Opéra de Paris: Sculpture ornamentale
This album consists of 45 albumins and has placed Durandelle as one of the great photographers of the nineteenth century along with his other two emblematic works.
The construction du Nouvel Opera
Travaux de construction de la Tour Eiffel
Getty edu
Louis-Émile Durandelle was one half of a photographic team with César Hyacinthe Delmaet from 1862. Until 1854 After their partnership Dissolved, Durandelle continued to photograph, specializing in photographs of architecture, particularly public buildings, in France THROUGHOUT the 1860s. I photographed the Abbey of Mont-Saint-Michel and the construction of the Théâtre de Monte Carlo. In 1870 and 1871 I photographed the Paris Commune, the insurrection Against Napoleon III's government.
In 1876 Durandelle published a portfolio, Le Nouvel Opéra de Paris: Sculpture ornementale, a ten-year documentation of the sculptural decoration in the Paris Opéra. From 1887 Until 1889, I documented the erection of the Eiffel Tower.
bnf Durandelle
Construction of the Eiffel Tower Bnf
Moma Durandelle
Met. Le Nouvel Opera de Paris
SFMOMA San Francisco Museum Durandelle
Museum D'Orsay Durandelle and construction of the Eiffel Tower
......... The construction of the Eiffel Tower in the heart of Paris, on the occasion of the Universal Exhibition of 1889, will impose evidence of photography as a privileged means for the representation of the metal architecture.
.......... Since the beginning of 1887 is put to work and began a series of plates, taken from a distance, carefully dated, showing rapid installation, from foundation to finish the building
Met Museum Collection Online
Le Nouvel Opéra de Paris (Sculpture ornementale)
Louis-Emile Durandelle
(French, 1839-1917)
Curiosity end, the fate of the photo backgrounds Durandelle and Delmaet was:
Scholar's Choice: Le nouvel opera of Paris.Centre Canadien d'Architecture
......... I Studied Perhaps the Most Important photographic presentation of architecture in the 19th century, Charles Garnier's Paris Le nouvel opera. This mammoth publication (1875-1881), Comprising two volumes of text, two sheets of engraved drawings and chromolithographs and four atlases of photographs, was unparalleled in Its Time.
Fonds Chevojon, studio photographie
Le Studio de photographie industrielle Chevojon doute est la plus ancienne entreprise de photographie in France sans, fondée in 1861 à Paris (9 rue Cadet, Paris, 9e), très dans les années Important jusque 1985. Le nom n'est réellement I créé qu 'in 1886, lorsqu'Albert Chevojon (1865-1925), achète you fonds de commerce et du studio Durandelle Delmaet, créé in 1861.