Foto Luis Garcia Garrabella. Palencia. Torre de San Miguel. 1951
Esta foto pertenece a la serie de fotografías editadas por el Archivo de la Dirección General de Turismo.
El título que lleva en el soporte de cartón de la D. G. de Turismo es Palencia: Monumentos Religiosos
Si bien al dorso de la foto lleva el sello impreso del fotógrafo Garrabella y su identificación como Torre de San Miguel.
Luis Garcia Garrabella fue un fotógrafo aragonés, discípulo de Juan Mora que se dedicó especialmente a la edición de postales fotográficas de numerosos lugares de España. Su labor se desarrolló principalmente entre los años 1950-1960.
- La tarjeta postal ilustrada Francisco Palá Laguna
.........Durante las décadas de los cuarenta y cincuenta del pasado siglo, editoriales como la catalana Zercovich, o las zaragozanas García Garrabella (Fig. 8) o Ediciones Arribas, reprodujeron en tarjeta postal la mayoría de las ciudades y pueblos de España en tiradas, en algunos casos, más cortas de lo que había sido habitual hasta entonces. Durante ese período se vendieron blocs de postales de recuerdo de ciudades normalmente unidas al modo de acordeón, que permitían la separación de las tarjetas cortando la parte inferior de una postal y la superior de la siguiente......
.........Finalizada la guerra civil, Zaragoza se convirtió en el centro de la industria de la tarjeta postal gracias a la importancia que alcanzaron por su calidad y cantidad las tarjetas postales editadas
e impresas por García Garrabella y la propia Ediciones Arribas.
45 ....
e impresas por García Garrabella y la propia Ediciones Arribas.
45 ....
.
En esta fotografía se reproduce un lugar emblemático de esta ciudad situada a las orillas del río Carrion.
En un primer término se recorta el tronco de un arbol que se contrapone como elemento natural a la propia torre equilibrando así la fotografía. Nos llama tanto la atención la torre reflejada en el río como las sábanas puestas a secar en la hierba de su orilla. Unas mujeres bajan por la escalera hacia el río.
Lo que más destaca en esta foto es la paz del lugar y el tiempo que transmiten, perdida hoy día.
- Fotos Dirección General de Turismo
- Memoria de Madrid Fotos de Garrabella
........La Serie Patronato Nacional de Turismo engloba un importante volumen de fotografías y otra documentación gráfica: carteles de información de actividades, folletos informativos, etc. En total, 344 cajas, que incluyen 80.975 fotografías, 49 sobres de índices fotográficos y 7 álbumes.
La fracción más antigua de la serie, denominada Catálogo Monumental de España, se realizó entre los años 1928, fecha de creación del Patronato, y 1936, momento en que las actividades de promoción del turismo quedan interrumpidas por la Guerra Civil. Este catálogo se compone de 3.861 fotografías de diferentes lugares y tema vario, pero siempre relacionado con la actividad turística.
El carácter geográfico del Catálogo Monumental de España, convierte a esta serie en un conjunto idóneo para mostrar a través de google earth, permitiendo una búsqueda rápida, intuitiva y visualmente muy atractiva para el usuario.....
Bibliografia
- Salonismo y Tardopictorialismo en el panorama fotográfico español de la década de los cincuenta
La Sociedad Fotográfica de Zaragoza y su Salón Internacional
Asociacion aragonesa de criticos de arte
Diferentes citas a Garrabella con premios en certámenes
- Garrabella La imagen costumbrisa de Aragón MANUEL GARCÍA GUATAS
.Un ejemplo de postal con la sublimación de los símbolos patrios
aragoneses es la que compuso García Garrabella por los años cincuenta ante el monumento de la plaza del Portillo. Se superponen en secuencia ascendente la imagen baturra de la juventud viva, de la j o t a laureada que entona el baturro en bronce con la guitarra terciada a la espalda y la estatua de Agustina de Aragón, pisando con garbo la cureña del cañón. .
aragoneses es la que compuso García Garrabella por los años cincuenta ante el monumento de la plaza del Portillo. Se superponen en secuencia ascendente la imagen baturra de la juventud viva, de la j o t a laureada que entona el baturro en bronce con la guitarra terciada a la espalda y la estatua de Agustina de Aragón, pisando con garbo la cureña del cañón. .
En (google translator)
Luis Garcia was an Aragonese Garrabella photographer, Juan Mora disciple who especially devoted to the issue of photographic postcards of numerous places in Spain. His work was primarily developed between 1950-1960.
The picture postcard Laguna Palá Francisco
......... During the decades of the forties and fifties of the last century, as the Catalan Zercovich publishers, or zaragozanas Garrabella García (Fig 8.) Or Editions Arribas, reproduced in postcard most cities and peoples of Spain in runs, in some cases, shorter than it had been customary until then. During that period pads souvenir postcards of cities normally attached to an accordion, allowing the separation of the cards by cutting the bottom of a post and the top of the next sold ......
......... After the Civil War, Zaragoza became the center of the greeting card industry because of the importance achieved by the quality and quantity of postcards published
García and printed by Editions own Garrabella and Arribas.
45 ....
.
In this photograph reproduces a landmark of this city situated on the banks of the river Carrion.
At first the trunk of a tree that is opposed as a natural element to the tower itself thus balancing the picture is cropped. It calls attention both tower reflected in the river as the sheets out to dry on the grass of the shore. Some women go down the stairs to the river.
What stands out most in this photo is the peace of the place and the time passed, lost today.
Photos Directorate General of Tourism
Memory Garrabella Madrid Photos
Monumental catalog Spain
The National Board ........ Turismo Series encompasses a large volume of photographs and other graphic documentation: information activity posters, brochures, etc. In total, 344 cases, including 80,975 photographs, photographic rates on 49 and 7 albums.
The oldest portion of the series, called Monumental catalog Spain, was conducted between 1928, the date of creation of the Board, and 1936, when the tourism promotion activities are interrupted by the Civil War. This catalog is composed of 3,861 photographs from different places and various theme, but always related to tourism.
The geographical nature of the Monumental catalog Spain, makes this series an ideal set to show through google earth, allowing rapid, intuitive and visually appealing user search .....
Bibliography
Salonismo Tardopictorialismo in Spanish and photographic panorama of the fifties
The Photographic Society of Zaragoza International Exhibition and
Aragonese Association of Art Critics
Different appointments Garrabella contests with prizes
The image Garrabella costumbrisa Aragón MANUEL GARCIA Wadding
.A Example of sublimation postcard with patriotic symbols
Aragonese is composed by Garcia Garrabella in the fifties at the monument of the Plaza del Portillo. The image of the living baturra youth, laureate Jack Toning baturro bronze with guitar slung behind his back and the statue of Agustina de Aragon, stepping jauntily the cannon gun carriage overlap in ascending sequence. .
Luis Garcia was an Aragonese Garrabella photographer, Juan Mora disciple who especially devoted to the issue of photographic postcards of numerous places in Spain. His work was primarily developed between 1950-1960.
The picture postcard Laguna Palá Francisco
......... During the decades of the forties and fifties of the last century, as the Catalan Zercovich publishers, or zaragozanas Garrabella García (Fig 8.) Or Editions Arribas, reproduced in postcard most cities and peoples of Spain in runs, in some cases, shorter than it had been customary until then. During that period pads souvenir postcards of cities normally attached to an accordion, allowing the separation of the cards by cutting the bottom of a post and the top of the next sold ......
......... After the Civil War, Zaragoza became the center of the greeting card industry because of the importance achieved by the quality and quantity of postcards published
García and printed by Editions own Garrabella and Arribas.
45 ....
.
In this photograph reproduces a landmark of this city situated on the banks of the river Carrion.
At first the trunk of a tree that is opposed as a natural element to the tower itself thus balancing the picture is cropped. It calls attention both tower reflected in the river as the sheets out to dry on the grass of the shore. Some women go down the stairs to the river.
What stands out most in this photo is the peace of the place and the time passed, lost today.
Photos Directorate General of Tourism
Memory Garrabella Madrid Photos
Monumental catalog Spain
The National Board ........ Turismo Series encompasses a large volume of photographs and other graphic documentation: information activity posters, brochures, etc. In total, 344 cases, including 80,975 photographs, photographic rates on 49 and 7 albums.
The oldest portion of the series, called Monumental catalog Spain, was conducted between 1928, the date of creation of the Board, and 1936, when the tourism promotion activities are interrupted by the Civil War. This catalog is composed of 3,861 photographs from different places and various theme, but always related to tourism.
The geographical nature of the Monumental catalog Spain, makes this series an ideal set to show through google earth, allowing rapid, intuitive and visually appealing user search .....
Bibliography
Salonismo Tardopictorialismo in Spanish and photographic panorama of the fifties
The Photographic Society of Zaragoza International Exhibition and
Aragonese Association of Art Critics
Different appointments Garrabella contests with prizes
The image Garrabella costumbrisa Aragón MANUEL GARCIA Wadding
.A Example of sublimation postcard with patriotic symbols
Aragonese is composed by Garcia Garrabella in the fifties at the monument of the Plaza del Portillo. The image of the living baturra youth, laureate Jack Toning baturro bronze with guitar slung behind his back and the statue of Agustina de Aragon, stepping jauntily the cannon gun carriage overlap in ascending sequence. .