Fotografía antigua. 1880's. Villa. Architecte Carrier. Photographer Lampué
Villa rodeada por una verja con dos árboles y un banco en la calles que nos distancian de ella dotando de profundidad a la foto.
En
En
aparece una obra suya
Type d'objet :
Dessin scolaire d'architecture.
Titre / désignation :
[Maison de plaisance pour un riche amateur de l'art dramatique] . (Titre forgé) .
Création
Carrier, Léon-Alexandre![[+ d'info.]](http://www.beauxartsparis.fr/ow2/catzarts/images/plusik_l.gif)
.
Numéro d'inventaire :
Pj 962
1 objet(s) composé(s) de 4 parties.
Créé en vue de
Travaux d'élèves, concours, diplômes : Projet rendu concours d'émulation de 1ère Classe . Date : 1877
Pierre Lampué Life and works
From La Bibliothèque nationale de France (BnF) I got the following confirmation on Lampué live and work:
In the George Eastman House database, we can find the following information:
Links
Photographies de Lampúe
.............Cat’zArts, qui tire son nom du bal des Quat’z-arts organisé par les élèves des quatre sections de l’Ecole, est un catalogue informatique qui présente les œuvres des collections de l’Ecole nationale supérieure des beaux-arts. Ces collections, héritées des Académies royales, augmentées par de prestigieuses donations et par les travaux scolaires jusqu’en 1968, sont extrêmement variées et comportent aussi bien peintures, sculptures, objets d’art, dessins de maîtres et d’architecture, que photographies, estampes ou Livres et manuscrits. Sur un total de plus de 450 000 œuvres, près de 80 000 figurent déjà dans la base................
Photographies de Lampúe. Sturgis collection
..........American architect Russell Sturgis (1836 –1909) was a leading figure in the development of architectural criticism at the turn of the 20th-century. During his formative years in New York, Sturgis gained an appreciation for architectural history and modern design. An advocate of the American Pre-Raphaelites, Sturgis sought much inspiration in the written works of English architect and critic John Ruskin. Upon his return to New York after extensive travel abroad, Sturgis opened his own architectural practice in 1863. In addition to his success as an architect, Sturgis authored countless articles and books on various architectural subjects.
After 1858, Sturgis earnestly began to collect choice photographs and drawings of various architectural gems. Sturgis' collection of photographs is particularly rich in both its collective thoroughness and diversity of images represented.................
Dessin scolaire d'architecture.
Titre / désignation :
[Maison de plaisance pour un riche amateur de l'art dramatique] . (Titre forgé) .
Création
Carrier, Léon-Alexandre
. Numéro d'inventaire :
Pj 962
1 objet(s) composé(s) de 4 parties.
Créé en vue de
Travaux d'élèves, concours, diplômes : Projet rendu concours d'émulation de 1ère Classe . Date : 1877
La
fotografía deLampué figura en una de las colecciones más importantes de
fotografía del siglo XX, colección actualmente en el Museo Getty y
cuyas obras principales fueron objeto de exposición en 2016
The Thrill of the Chase: The Wagstaff Collection of Photographs at the J. Paul Getty Museum
From 1973 to 1984, Samuel J. Wagstaff, Jr. (American, 1921-1987)
assembled one of the most important private collections of photographs
in the world. Wagstaff promoted photography as an art form by organizing
exhibitions, delivering lectures, and publishing material on his
collection. In 1984, a few years before his death from AIDS-related
complications, Wagstaff sold his collection to the J. Paul Getty Museum.
Numbering several thousand, the collection now forms a cornerstone of
the Getty Museum’s holdings of photographs.
Wagstaff served as a curator of paintings and sculpture at the Wadsworth Atheneum Museum of Art (1961-1968) and curator of contemporary art at the Detroit Institute of Art (1969-1971)
.........Images (left to right): Jean Pierre Philippe Lampué (French, 1836 – 1924), Still life of sculpture and architectural fragments, 1868, Albumen silver print, Image: 34.3 x 22.2 cm (13 1/2 x 8 3/4 in.), The J. Paul Getty Museum, Los Angeles, 84.XP.458.28; Gustave Le Gray (French, 1820 – 1884), The Beech Tree, about 1855 – 1857,
The Thrill of the Chase: The Wagstaff Collection of Photographs at the J. Paul Getty Museum
September 10 – December 11, 2016
From 1973 to 1984, Samuel J. Wagstaff, Jr. (American, 1921-1987)
assembled one of the most important private collections of photographs
in the world. Wagstaff promoted photography as an art form by organizing
exhibitions, delivering lectures, and publishing material on his
collection. In 1984, a few years before his death from AIDS-related
complications, Wagstaff sold his collection to the J. Paul Getty Museum.
Numbering several thousand, the collection now forms a cornerstone of
the Getty Museum’s holdings of photographs.Wagstaff served as a curator of paintings and sculpture at the Wadsworth Atheneum Museum of Art (1961-1968) and curator of contemporary art at the Detroit Institute of Art (1969-1971)
.........Images (left to right): Jean Pierre Philippe Lampué (French, 1836 – 1924), Still life of sculpture and architectural fragments, 1868, Albumen silver print, Image: 34.3 x 22.2 cm (13 1/2 x 8 3/4 in.), The J. Paul Getty Museum, Los Angeles, 84.XP.458.28; Gustave Le Gray (French, 1820 – 1884), The Beech Tree, about 1855 – 1857,
Pierre Lampué Life and works
From La Bibliothèque nationale de France (BnF) I got the following confirmation on Lampué live and work:
- Jean Pierre Philippe Lampué was born in Montréjeau in 1836. Died in Paris in 1924.
- He studied at the Seminary of Polignan and in the School of Beautiful Arts in Toulouse. He could have travelled to Spain in 1864.
- In 1865 he stablished in Paris, rue Saint Jacques 237.
- Lampué become official photographer of the École of Beaux Arts of Paris.
- In 1888 he became councillor of the 5th District of Paris.
- In 1890 he became radical socialist and gets elected as municipal councillor of Paris for the Val de Grace neighbourhood. In the council he belonged to the comission of "teaching and beautiful arts".
- In 1892 he became part of the Honour Comitee for the First International Exposition of Photography and Industry as councillor of Paris.
- Lampué was re-elected as councillor in 1893 and 1896 but lost in 1900 elections.
- He was member of the French society of Photography from 1873 to 1885.
- He was member of the Chamber of Labour Union of Photography.
- Lampué participated in expositions by the French Society of Photography in 1876 and 1882.
- He had his own photographic studio in rue Saint Jacques 237, in Paris until 1879. It was called "French-Spanish photography".
- This studio was later moved to the Boulevard Port Royal 72 in Paris.
- He finishes his photographic activities in 1890.
In the George Eastman House database, we can find the following information:
- Name: Jean Pierre Philippe Lampué
- Active in France c.1870
- Member of the French Society of Photography
- Museums with artwork of Lampué
- J. Paul Getty Museum
- Rikjsmuseum Ámsterdam
- Snite Museum of Art
- Expositions
- Onzienme Exposition de la Société Nacional de Photographie en 1876. Palais de la Industrie
- Exposition Universelle 1878
Links
- Wikipedia Lampue
- Museo d' Orsay Lampué
- Rijksmuseum Research Library
- Sauvestre Wikipedia
- Tour Eiffel
- Full album
Lampúe se hizo famoso por una fuerte controversia que mantuvo a través de la prensa con los pintores cubistas.
.. The subject of an interpellation in the Chambre
des Députés. Following the lead of a municipal councillor and amateur
photographer named Lampué, who had written an open letter to Monsieur
Bérard, Under-Secretary in the Ministry of Fine Arts, in the Mercure de
France:
....That access to all public building should be denied " to a gang of
criminals who behave in the art world like yobs and delinquents.
a Socialist deputy, Monsieur Jean Louis Breton, demanded that measures be taken to prevent the Cubists from exhibiting at the Salon d'Automne:
....'Il
est absolument inadmissible que nos palais nationaux puissent servir à
des manifestations d'un caractère aussi nettement antiartistique et
antinational.' .
The attack was answered by Marcel Sembat
'Quand un tableau vous semble mauvais,' he declared, 'Vous
avez un incontestable droit: celui de ne pas le regarder et d'aller en
voir d'autres. Mais on n'appelle pas les gendarmes.'
Excelente contestación.
Excelente contestación.
- Haciendo la búsqueda correspondiente en la web de Culture France se nos muestran varias fotos de este fotógrafo.
Jean-Pierre Lampué (1836 – 1924)
Président du Conseil Général de la Seine en 1904 et 1905
Vice-président du Conseil municipal de Paris
Rapporteur général du budget du département de la Seine
Dessinateur et photographe d’art spécialisé dans la photographie d’architecture.
On ne sait pas combien de temps il
occupa ce poste à Polignan. On retrouva sa trace à Paris au milieu des
années 1860, où il dirigeait un atelier photographique spécialisé
dans la photographie d’art et d’architecture. Son établissement avait pour enseigne « Photographie Franco-Espagnole ». (3)
Le musée d’Orsay possède une collection
de dessins d’architectures de notre artiste. Ses photos se monnayent sur
des sites de vente aux enchères, les estimations de ses
tirages peuvent atteindre 900 euros.
.............Cat’zArts, qui tire son nom du bal des Quat’z-arts organisé par les élèves des quatre sections de l’Ecole, est un catalogue informatique qui présente les œuvres des collections de l’Ecole nationale supérieure des beaux-arts. Ces collections, héritées des Académies royales, augmentées par de prestigieuses donations et par les travaux scolaires jusqu’en 1968, sont extrêmement variées et comportent aussi bien peintures, sculptures, objets d’art, dessins de maîtres et d’architecture, que photographies, estampes ou Livres et manuscrits. Sur un total de plus de 450 000 œuvres, près de 80 000 figurent déjà dans la base................
Photographies de Lampúe. Sturgis collection
..........American architect Russell Sturgis (1836 –1909) was a leading figure in the development of architectural criticism at the turn of the 20th-century. During his formative years in New York, Sturgis gained an appreciation for architectural history and modern design. An advocate of the American Pre-Raphaelites, Sturgis sought much inspiration in the written works of English architect and critic John Ruskin. Upon his return to New York after extensive travel abroad, Sturgis opened his own architectural practice in 1863. In addition to his success as an architect, Sturgis authored countless articles and books on various architectural subjects.
After 1858, Sturgis earnestly began to collect choice photographs and drawings of various architectural gems. Sturgis' collection of photographs is particularly rich in both its collective thoroughness and diversity of images represented.................
En la pagina 210 de
figura lo siguiente
Léon Alexander Carrier. Né 1851. Prom. 1870-72. élève Guadet. Travaux: Hôtels, villas, établ. financ., usines. V. de Paris, profess.. dessin écoles de Ville, expert trib., Arch. Credito Lyonnais agences Paris et Seien. Architec. a Paris rue St. Jacques 260