Fotografía antigua Puente sobre el rio Ulla. Fotógrafo Novás Pontevedra. Bridge over river Ulla Galicia Spain
Foto de gran formato alargado que representa una barca en primer plano con una vista,al fondo, del puente sobre el rio Ulla.
La foto lleva al dorso el sello del fotógrafo Novás de Pontevedra y está fechada en 1934.
El rio Ulla nace en Lugo desembocando en el oceano Atlantico cerca de Villagarcía de Arosa.
Sobre el fotógrafo Novás he conseguido algunos datos:
- Lorenzo Novás fue discípulo del fotógrafo Francisco Zagala. Formó sociedad durante un tiempo con Sáez Mon firmando las fotos como Sáez Mon y Novás.Trabajó para la Sociedad Arqueólogica y para el Museo de Pontevedra. En 1940 gran parte de su archivo entró a formar parte del Museo de Pontevedra.
Sobre la actividad de la Sociedad Arqueólogica podemos leer en la web del Museo de Pontevedra, en su Archivo Grafico lo siguiente:
...Las fotografías más antiguas provienen de la primitiva labor investigadora llevada a cabo por la Sociedad Arqueológica de Pontevedra, antecesora de este Museo. Aquí debemos encuadrar la colección formada por la obra de Francisco Zagala (1842-1908), fotógrafo oficial de la mencionada Sociedad, para la que realizó numerosas fotografías que documentan de manera excepcional el patrimonio histórico-artístico de esta provincia. Su obra es, además, fuente documental de primer orden para el estudio de la evolución de la ciudad de Pontevedra en el tránsito del XIX al XX......
En este mismo Museo en la biografía del Fotógrafo Francisco Zagala podemos leer
......A su muerte en 1908, su discípulo y sucesor, Lorenzo Novás, se convierte en el nuevo fotógrafo de esta institución. En 1946 el Museo de Pontevedra compró su archivo fotográfico compuesto por más de 1000 placas de cristal, de las cuales, un gran número, habían pertenecido a su maestro Zagala. Estos negativos, unidos a los cientos de positivos originales de la Sociedad Arqueológica y a los procedentes de la colección Lois Teijeiro, convierten al Museo de Pontevedra en la Institución pública poseedora del mayor y más importante archivo fotográfico de fines del XIX que existe en Galicia.
NUEVOS DATOS SOBRE ESTE FOTÓGRAFO
- Exposiciones
"Arredor do Mar"
Selección de fotografías del Museo de Pontevedra, que encuentra en el Museo do Mar de Galicia un marco muy apropiado para su exhibición. La exposición abarca desde finales del s. XIX a mediados del s. XX.
En ella se muestran 64 imágenes tomadas tanto por reconocidos fotógrafos profesionales, como Francisco Zagala, Lorenzo Novas,Joaquin Pintos, Otto Wunderlich, Enrique Sarabia o Jose Suarez,
El fotógrafo olvidado Faro de Vigo
Lorenzo Novás Rarís captó cientos de imágenes de la Pontevedra de principios del XX, muchas atribuídas a Zagala
.."Primero trabajó por libre, imagino que las copias y el laboratorio que usaba eran los de Zagala, y hacia 1910 creó una sociedad con otro fotógrafo bastante mayor que él, Cobián, Cobián y Novás, con sede en la calle Peregrina 23"
.....pero todas las imágenes a partir de 1901 para la Sociedad Arqueológica las hizo mi abuelo... Lo que sucede es que en algunas ponía como pie Zagala Fot, eso es porque Zagala le encargaba una imagen, mi abuelo hacía 5, una se la entregaba efectivamente a Zagala y él se quedaba con el resto".
....No solo Zagala le compró imágenes,
también Ruth Matilda Anderson en el viaje que hizo a Galicia en 1924, si
bien en este caso se comprometió a recordar cada vez que las
reprodujese que pertenecían a la Sociedad Arqueológica.
Ésta
encargaba sus fotos al estudio de Mon y Novás, siendo Mon el socio
capitalista y sobrino de Casto Sampedro, presidente de la Arqueológica.
A memoria de Pontevedra. Dialnet
- Autores: Carlos Díaz Martínez, Víctor F. Freixanes, Xosé Fortes Bouzán
- Editores: Vigo : Edicións Xerais de Galicia, 2001
- Año de publicación: 2001
- País: España
- Idioma: gallego
Coa consolidación comercial desta moda, sonados fotógrafos (Novás, Pedro Ferrer, Roisin...) inician as mellores series con Galicia como tema, se ben os exemplares dedicados a Pontevedra son escasos
A ausencia de información relativa á autoría de moitas postais non impide mencionar outros fotógrafos locais como Francisco Rodríguez Santos ou Lorenzo Novás Rorís.
Lorenzo Novás, la memoria de un olvidado
Cuando en 1898 Zagala solicita un fotógrafo profesional para su estudio tiene claro que Novás es el mejor. A partir de ese momento realiza trabajos de exteriores para Zagala Foto y otras de manera independiente. Fotos de la vida cotidiana de Pontevedra como de la Moureira y procesiones y fiestas como la de la Peregrina. Hay pocas referencias de fotografía de estudio, aunque hizo alguna serie con personajes populares de Pontevedra.
Además, colabora como fotoperiodista con el Almanaque Gallego, Vida Gallega, Estampa, Mondariz y diarios como El Diario de Pontevedra, El Pueblo Gallego, Galicia-Diario de Vigo y Faro de Vigo.
A los treinta y cinco años Novás es ya un fotógrafo reconocido y
recibe, entre otros premios y distinciones, la Medalla de Plata en la
Exposición regional de Lugo en 1915, en 1923 medalla en Londres con la
fotografía Un Golfo y 1o premio en la Expo Pontevedra en 1925.
- En (google translator)
Photo of big elongated format representing a boat in the foreground with a view, at the bottom, the bridge over the river Ulla.
The photo on the back carries the stamp of the photographer Novás of Pontevedra and is dated 1934.
The river is born in Lugo Ulla flows into the Atlantic Ocean near Villagarcia de Arosa.
Exhibitions
"Arredor do Mar"
Selection of photographs from the Museum of Pontevedra, which is in the Museo do Mar de Galicia a very appropriate framework for exhibition.
The exhibition runs from the end of s. S mid-XIX. XX. 64 It recognized images taken by both professional photographers, as Zagala Francisco Lorenzo Novas, Joaquin Pintos, Otto Wunderlich, Suarez Jose Enrique Sarabia or displayed,
The photographer Novás I've got some data:
Novás photographer Lorenzo was a pupil of Francisco Zagala. He formed a partnership for a time with Mon Sáez Sáez signing photos like Mon and Novás.Trabajó for Archaeological Society and the Museum of Pontevedra. In 1940 much of your file joined the Museum of Pontevedra.
On the activity of the Archaeological Society we can read on the website of the Museum of Pontevedra, where the following Graphic File:
Older pictures ... come from the early research work carried out by the Archaeological Society of Pontevedra, predecessor of the Museum. Here we frame the collection formed by the work of Francisco Zagala (1842-1908), official photographer of the said company, for which he made numerous photographs documenting exceptionally historical and artistic heritage of this province. His work is also prime documentary source for the study of the evolution of the city of Pontevedra in the transition from the nineteenth to the twentieth ......
In this Museum in the biography of Francisco Photographer Zagala we read
At his death ...... in 1908, his disciple and successor, Lorenzo Novás, becomes the new photographer of this institution. In 1946 the Museum of Pontevedra bought his photographic archive consisting of over 1,000 glass plates, of which many had belonged to his master Zagala. These negative, together with the hundreds of positive originals Archaeological Society and Lois Teijeiro from the collection, the Museum of Pontevedra become the government body possessing the largest and most important photographic archive of the late nineteenth exists in Galicia.
NEW DATA ON THIS PHOTOGRAPHER
Exhibitions
"Arredor do Mar"
Selection of photographs from the Museum of Pontevedra, which is in the Museo do Mar de Galicia a very appropriate framework for exhibition.
The exhibition runs from the end of s. S mid-XIX. XX. 64 It recognized images taken by both professional photographers, as Zagala Francisco Lorenzo Novas, Joaquin Pintos, Otto Wunderlich, Suarez Jose Enrique Sarabia or displayed,
Photographer forgotten Faro de Vigo
Lorenzo Novás Raris captured hundreds of images of the early twentieth Pontevedra, many attributed to Zagala
.. "First he worked for free, I guess copying and laboratory used were those of Zagala, and by 1910 formed a partnership with another photographer quite senior, Cobian, Cobian and Novas, with headquarters at Pilgrim 23"
all images ..... but from 1901 the Society for Archaeological my grandfather did ... What happens is that some put as foot Zagala Fot, that's because you Zagala charge a picture, my grandfather was 5 , one is effectively delivered to the Zagala and he was left with the rest. "
Zagala .... No one bought images, also Ruth Matilda Anderson made the trip to Galicia in 1924, although in this case promised to remember whenever you play back belonging to the Archaeological Society.
This buys his photos to study and Novás Mon, Mon being the silent partner and nephew Casto Sampedro, president of the Archaeological.
A memory of Pontevedra. Dialnet
Authors: Carlos Diaz Martinez, Victor F. Freixanes paper aims Fortes Bouzán
Publisher: Vigo: Edicións Xerais of Galicia, 2001
Year of publication: 2001
Country: Spain
Language: Galician
Coa consolidation desta commercial fashion photographers notorious (Novas, Pedro Ferrer, Roisin ...) start with Galicia as mellores series theme is dedicated to ben you exemplares Pontevedra are scarce
A lack of information relating to authorship of Moitas Postais outros non prevents photographers LOCAIS mention Francisco Rodriguez and Lorenzo Santos ou Novás Roris.
photo Novas
The photo on the back carries the stamp of the photographer Novás of Pontevedra and is dated 1934.
The river is born in Lugo Ulla flows into the Atlantic Ocean near Villagarcia de Arosa.
Exhibitions
"Arredor do Mar"
Selection of photographs from the Museum of Pontevedra, which is in the Museo do Mar de Galicia a very appropriate framework for exhibition.
The exhibition runs from the end of s. S mid-XIX. XX. 64 It recognized images taken by both professional photographers, as Zagala Francisco Lorenzo Novas, Joaquin Pintos, Otto Wunderlich, Suarez Jose Enrique Sarabia or displayed,
The photographer Novás I've got some data:
Novás photographer Lorenzo was a pupil of Francisco Zagala. He formed a partnership for a time with Mon Sáez Sáez signing photos like Mon and Novás.Trabajó for Archaeological Society and the Museum of Pontevedra. In 1940 much of your file joined the Museum of Pontevedra.
On the activity of the Archaeological Society we can read on the website of the Museum of Pontevedra, where the following Graphic File:
Older pictures ... come from the early research work carried out by the Archaeological Society of Pontevedra, predecessor of the Museum. Here we frame the collection formed by the work of Francisco Zagala (1842-1908), official photographer of the said company, for which he made numerous photographs documenting exceptionally historical and artistic heritage of this province. His work is also prime documentary source for the study of the evolution of the city of Pontevedra in the transition from the nineteenth to the twentieth ......
In this Museum in the biography of Francisco Photographer Zagala we read
At his death ...... in 1908, his disciple and successor, Lorenzo Novás, becomes the new photographer of this institution. In 1946 the Museum of Pontevedra bought his photographic archive consisting of over 1,000 glass plates, of which many had belonged to his master Zagala. These negative, together with the hundreds of positive originals Archaeological Society and Lois Teijeiro from the collection, the Museum of Pontevedra become the government body possessing the largest and most important photographic archive of the late nineteenth exists in Galicia.
NEW DATA ON THIS PHOTOGRAPHER
Exhibitions
"Arredor do Mar"
Selection of photographs from the Museum of Pontevedra, which is in the Museo do Mar de Galicia a very appropriate framework for exhibition.
The exhibition runs from the end of s. S mid-XIX. XX. 64 It recognized images taken by both professional photographers, as Zagala Francisco Lorenzo Novas, Joaquin Pintos, Otto Wunderlich, Suarez Jose Enrique Sarabia or displayed,
Photographer forgotten Faro de Vigo
Lorenzo Novás Raris captured hundreds of images of the early twentieth Pontevedra, many attributed to Zagala
.. "First he worked for free, I guess copying and laboratory used were those of Zagala, and by 1910 formed a partnership with another photographer quite senior, Cobian, Cobian and Novas, with headquarters at Pilgrim 23"
all images ..... but from 1901 the Society for Archaeological my grandfather did ... What happens is that some put as foot Zagala Fot, that's because you Zagala charge a picture, my grandfather was 5 , one is effectively delivered to the Zagala and he was left with the rest. "
Zagala .... No one bought images, also Ruth Matilda Anderson made the trip to Galicia in 1924, although in this case promised to remember whenever you play back belonging to the Archaeological Society.
This buys his photos to study and Novás Mon, Mon being the silent partner and nephew Casto Sampedro, president of the Archaeological.
A memory of Pontevedra. Dialnet
Authors: Carlos Diaz Martinez, Victor F. Freixanes paper aims Fortes Bouzán
Publisher: Vigo: Edicións Xerais of Galicia, 2001
Year of publication: 2001
Country: Spain
Language: Galician
Coa consolidation desta commercial fashion photographers notorious (Novas, Pedro Ferrer, Roisin ...) start with Galicia as mellores series theme is dedicated to ben you exemplares Pontevedra are scarce
A lack of information relating to authorship of Moitas Postais outros non prevents photographers LOCAIS mention Francisco Rodriguez and Lorenzo Santos ou Novás Roris.
photo Novas